Mo(nu)Ments

Movement is what we look for, every day.

These shots are the epicenter of the frenzy, of the Chaos. Monuments that we are usually used to seeing through postcards, static, now for Cirfiera they are split, blurred, blurred.

Indeterminate.

What in the common imagination must be memorized is stopped at a very precise moment. Crystallizing it.

His shots, on the other hand, want to reveal the fleetingness of an instant, in which nothing can be stopped, trapped, but only remembered.

Time, as a measure, as a notion that organizes the mobile continuity of states, decays.
One perceives the fluidity of these MO (NU) MENTS, which slowly change, and which we all remember as immobile objects.

The photographs are also reproduced on plates of brass, copper, aluminum, noble materials which, however, change over time as well as the monuments photographed.

They become unique works, since it applies a chemical process of deterioration on the raw material that receives the artistic print, until the same decides to block it and print his shots on the material chromatically similar to the photographic shot.

His projects, like his works, are in continuous “mo(ve)ment”.